…Jayate – My First Film (with a link to the entire film)

Here is my first film … Jayate uploaded by Rajshri Films for free viewing. This film produced in 1997-98 was never released commercially but it had a small festival run through the Indian Panorama of 1998-99. Made at a meagre budget …Jayate marked the debut of cinematographer (director, Antardwand and DOP Laaga Chunri Mein Daag), writer Anurag Kashyap, editor Girish Madhu, sound engineer Arun Nambiar, actors Sachin Khedekar and Kishore Kadam. It was produced by R.V. Pandit, a big hearted producer who risked his money on a nobody like me. I got this film because Mr. Pandit was impressed with my work on the promos of Maachis and Darmiyaan. I owe this film to Vishal Bhardwaj who introduced (pushed) me to Mr. Pandit and because of whom I met Gulzar saab – an association that will remain my most precious one forever. However, the music score was by the violin maestro Dr. L Subramaniam on the insistence of my producer.

On hindsight …Jayate was a wordy, good hearted, often amateurish first film with some wonderful performances and dialogs. The film’s first cut was nearly 3 hours 40 minutes which we cut down to its current length of approximately 2 hours 20 mins.  Despite its many flaws it remains my debut feature film and very close to my heart. In many ways my recent film Shahid (2013) is a result of some of the lessons learnt from …Jayate – particularly the courtroom scenes.

…Jayate was also special because it was made at a time when the old fashioned film editing era was about to end. I was adamant about using the Steinbeck to edit this film and I think this process taught me a lot. The entire sound post-production was done using analog media and the final mono mix was done in two nights. Carrying reams of magnetic tape, film positive and audio tape in my old car from studio to studio remains an experience that I will cherish forever. This film taught me about how technology could not substitute simple story-telling – a learning that I have tried to incorporate in my better films with or without success.

This film was made at a time when Mumbai had no multiplexes, no studio system and when the old territorial distribution system based out of Naaz Cinema was in full swing. Distributors would leave my previews either mid-way or without saying anything about the film. Nobody was interested in a songless film without major stars at the time. Friends from the industry often derided me for making a film like this as my debut vehicle. It took me nearly 2 years and massive financial / personal burden post …Jayate to put my next film Dil Pe Mat Le Yaar!(2000) together.

I look back on …Jayate as one of my earliest attempts to break free from a populist mainstream system that I did not belong to. With Dil Pe Mat Le Yaar and Chhal I tried to continue with that independent streak but somewhere in the ensuing years I lost that drive to strive on. Shahid marked my return to roots and my return to a path of making films without fear of stars, returns or flak. Shahid and its success has given me the impetus to continue my aborted journey of which …Jayate is a humble beginning. Do watch it…

Khursheed Mistry

SHAHID-WP-1

I’ve watched Shahid thrice; the last time, I even paid to see it!  What can I say about Shahid that hasn’t been said already and by many, far more eloquently than me? This time around I had half my attention on the reaction of the audience as well. They laughed when I did and cried when I was weeping copious tears (I promise I heard many sniffles during some overwhelming moments in the film). At the end of the film, we all cheered for our 2 hours well spent and worth every rupee!

I must admit rather candidly that I am guilty; of the same prejudices that most of the population of this country have towards Muslims. However, when I was watching Shahid, I forgot about his religion or his faith and could only focus on his zeal. What made Shahid tick? How did this young man so full of life and such goodness, deal with all the adversities in his life? The answer is simple. Shahid Azmi was a man of choices. Even the wrong choices made by him, he endeavoured to rectify. At every crucial juncture in his life, Shahid chose to listen to his instincts and heart. This man of internal steel weathered every storm in his life stoically and in a matter of fact manner, that warms the cockles of the heart. He never bragged about his achievements nor cursed fate for his problems. This country needs more people like him who turn to education to beat jingoism and the system rather than beat up the people.

Hansal Mehta has proved his worth by rising from the ashes like a Phoenix. By showcasing and with such skillful accuracy as well as sensitivity, the life of Shahid Azmi, a lawyer who was mercilessly killed for helping innocent convicts, he has shown one and all, the depth of his capability and evolution. From raw intensity, emotions, subtle humour and Shahid’s passionate belief in righting the wrong, Hansal has drawn out nothing short of natural and perhaps some of their best performances from his cast and crew.

There are some actors who define the roles they play so strongly that audiences find it unimaginable that another could have played it better. Raj Kumar Yadav, the unconventionally attractive actor lived and breathed the life of Shahid and infused a freshness that was very refreshing in the way the story was told. So convincing was his performance that he had me crying and laughing in the film. This multi-talented and gifted actor will go a long, long way!

In all this, due accolades must be given to the ENTIRE crew and cast of Shahid without whom this success would not have been possible. Baljinder Kaur, Mohammed Zeeshan Ayyub, Prabhleen Sandhu, Kay Kay Menon, Vipin Sharma, Shalini Vatsa, Yusuf Husain and many more, complemented and enhanced this labour of love with their contribution and presence.

Sameer Gautam Singh has expertly woven an excellent and well researched story. He painted it lovingly with myriad emotions and some unforgettable moments which had me spell bound!

No story is every complete without the contribution of the Editor. Apurva Asrani’s crisp and ever definitive cutting edge style leaves us with a visual delight beyond words. Precise and beautifully timed, this brilliant and talented Apurva has contributed greatly to the success of Shahid by also Co-writing the screenplay along with Hansal Mehta. No one tells a story with such purity as this award winning Editor!

Mercifully, this movie was devoid of raucous and idiotic songs. The music by Karan Kulkarni resonates hauntingly in the mind long after you leave the cinema hall. Anuj Dhawan’s cinematography is truly gasp-worthy. The capturing of iconic streets by day and night, opening credits of the film are only some of the many good scenes captured on celluloid by this bright professional.

As I left the cinema hall last night, on my way home it donned on me that all those, including me who saw and understood Shahid Azmi better could in fact actually change the system by drawing some inspiration from this larger than life man! Mr Shahid Azmi, you have our respect; your story will live on forever…

SHAHID IS NOT A 100 CR FILM; IT IS PRICELESS!